GERARD CHRISTIAN ZACHER'S JAMES DEAN SITE

JULIE HARRIS WAS JAMES DEAN'S FIRST MOVIE LEADING LADY IN "EAST OF EDEN". ALSO A STUDENT OF THE FAMED ACTOR'S STUDIO (As WAS DEAN) HER HEARTFELT PERFORMANCE COUNTERED DEAN'S PERFECTLY. JULIE WAS ANOTHER RARITY IN JIMMY'S CO-STARS IN THAT SHE TOO, LIKE ELIZABETH TAYLOR, WOULD LEAD A LONG LIFE 9AND SURVIVE CANCER AND A STROKE) AND MAINTAIN A BRILLIANT CAREER THROUGHOUT. ALONG THE WAY, SHE LANDED ONE OF HER MOST MEMORABLE ROLES IN TV'S "DALLAS" SPIN-OFF, "KNOT'S LANDING" IN WHICH SHE PLAYED LILIMAE CLEMENTS - THE MOTHER OF CENTRAL CHARACTER, VAL EWING - PLAYED BY JOAN VAN ARK. JULIE HAS CONTINUED TO GRACE BOTH THE BROADWAY STAGE, TELEVISION, AND THE SILVER SCREEN TO THIS DAY.

A renowned theater actress, Julie Harris also augmented her reputation with strong performances in a number of film and TV roles, despite her aversion to the Hollywood "glamour star" trip. Born to a well-to-do Grosse Pointe, Michigan, family, Harris opted to pursue acting at Yale Drama School rather than make her society debut at age 19. She landed her first Broadway part one year later. Harris' career was truly launched at age 25, however, by her star-making performance as troubled pre-teen tomboy Frankie in Carson McCullers' play The Member of the Wedding in 1950. Reprising her role in the film adaptation of The Member of the Wedding (1952), Harris scored an Oscar nomination for Best Actress in her first major film appearance. Though she did not win, she did win the first of five Tony Awards in 1952 for her Broadway turn as Berlin cabaret singer Sally Bowles in I Am a Camera. Along with the well-received film version of I Am a Camera in 1955, Harris starred in perhaps her best-known film that same year: Elia Kazan's East of Eden. As initially-coquettish Abra, Harris became a sensitive yet sensible romantic lead opposite an anguished James Dean in his legendary debut. With this trio of films, Harris became part of the 1950s cinematic turn toward performative "realism" exemplified by Method actor icons Dean and Marlon Brando (despite her own impatience with the Method after an Actors Studio stint).

Harris continued to avoid typecasting by playing a number of different roles in TV, theater, and movie productions throughout the subsequent decades. On film, Harris showed her considerable range as a kindly social worker in the film version of Rod Serling's teleplay Requiem for a Heavyweight (1962), one of the highly disturbed human guinea pigs in the original (and far superior) version of The Haunting (1963), a frustrated nightclub chanteuse in the Paul Newman p.i. vehicle Harper (1966), and a troubled wife in Reflections in a Golden Eye (1967). On stage, Harris' specialty became playing famous women throughout history, including Tony-award winning performances as Joan of Ark in The Lark (1956), Mary Todd Lincoln in The Last of Mrs. Lincoln (1973) (adapted for TV in 1976), and Emily Dickinson in The Belle of Amherst (1977).

After surviving a bout with cancer in 1981, Harris achieved considerable fame with a new audience by playing Lilimae Clements on the TV nighttime serial Knot's Landing from 1981 to 1988. After she left the show, Harris returned to films, after nearly a decade, as Sigourney Weaver's friend in Gorillas in the Mist (1988). Harris kept busy throughout the 1990s with supporting roles in several films, including Housesitter (1992) and the George A. Romero/Stephen King chiller The Dark Half (1993), as well as starring roles onstage and in TV films, including Ellen Foster (1997). Awarded the National Medal of the Arts in 1994 to go with her Tonys and Emmys, Harris noted in 1990s interviews that her passion for her craft had not always meshed with her personal life. Harris has been married three times and has one son. ~ Lucia Bozzola, All Movie Guide